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Tracing the Footsteps of Liku: Integration of the Penta Helix Model in Arja Art in Bali Komang David Darmawan 1.
Hartono 2.
Sucipto Hadi Purnomo 3 1 Faculty of Languages and Arts.
Semarang State University Email: daviddarma7plus@gmail.
2 Universitas Negeri Semarang.
Indonesia 2 Email.
hartono_sukorejo@mail.
3 Universitas Negeri Semarang.
Indonesia 3 Email.
suciptohp@mail.
ABSTRACT
This research explores the role of the Liku figure in Arja art, as well as the application of the penta helix model to support the preservation and development of 1Email: daviddarma7plus@gmail.
this art.
Liku, as a humorous and passionate character, functions as a symbol of rebellion against social norms and creates dynamic interactions with the audience.
Received:09-01-2025 Through a penta helix approach, which involves Accepted:14-04-2025 collaboration between historians, artists, communities.
Published:16-04-2025 government and media, this research shows that Arja's artistic desires can be achieved by utilizing the strengths of each element.
Qualitative research methods were used to collect data through direct observation and indepth interviews with artists and community members.
Terob Journal is licensed under a Creative The research results reveal that the penta helix Commons Attribution-ShareAlike 4.
integration model not only strengthens the preservation International License of traditions but also creates space for the younger Copyright: A 2025 by the authors.
generation to be actively involved in the arts.
Therefore, this article contributes to a deeper understanding of the dynamics of Arja performing arts in Bali and the importance of cross-sector collaboration in preserving cultural heritage.
It is hoped that this research will provide insight for artists, historians and the general public regarding the relevance and adaptation of traditional art in the modern era.
DOI: 10.
20111/terob.
*Correspondensi: Komang David Darmawan1 Keywords: Arja Arts.
Liku Figure.
Penta Helix Model.
TEROB VOLUME 15 NOMOR 2 APRIL 2025
INTRODUCTION
that are able to maintain and even The existence of art in Bali is so develop the arts in Bali.
One form of clearly depicted, this is due to the art that experiences dynamic existence harmonious culture that indirectly is Arja art.
surrounds art in Bali.
The Balinese Arja is an art that expresses the habit always involves art in every dialogue of mcapat (Putu et al.
As is the case, religious Is a form of performing arts that activities involve dance, sound and is rich in cultural values and traditions fine arts.
In line with the opinion of in Bali.
As a dance drama.
Arja Bagus Supartama & Sukadana .
0, combines elements of music, dance .
the reality of Balinese dance is and theater, where the dialogue is a living cultural form based on Hindu religion and culture.
In the end, art in Until now, there is no Bali developed as a form of social factual data that can identify the birth of Arja's art.
purposes or ended up as a form of Some speculation assumes that Arja social activities that functioned as a art is thought to have existed in the medium of communication.
1980s, this art has high value and is This is reinforced by the opinion of considered an art that is respected and Tirta .
9, p.
who believes that has high prestige among Balinese art in Bali is not only strengthened by people (Dibia 2012, .
Arja art the existence of religion and culture.
generally takes the story of Panji as However, it is important to know that art always has a synergy that requires Nevertheless, several wayang stories, harmony in artistic activities in Bali.
folk tales, western stories, and epics The propositions in question are truth (Satya.
, purity (Siwa.
, and beauty involvement as stories in Arja art.
(Sundara.
It can be concluded that In Arja art there are several figures in the existence of art in Bali is it, one of which is the figure Liku supported by various aspects that (Desiari and Wayan 2022, .
Liku's support it.
Both the beliefs of the character has a significant role in Balinese people, the customs of the telling the story and enriching the Balinese people, and the teachings Arja
Liku
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model in Arja performing arts is characters in Arja's plays, which usually depict interactions between various elements of society work.
Including narratives based on classic stories government, community and media such as the Panji story.
can collaborate in preserving and The development of Arja art in Bali developing this cultural arts.
is very dynamic, this can be seen The penta helix model offers a from the existence of Arja art which has been eroded as a result of the between various parties to create an development of globalization.
Arja ecosystem that supports the Arja art has undergone changes, basically following the development of modern Murianto, and Sriwi 2024, 1.
culture that is mushrooming in Bali.
Through this approach, it is hoped that Even Arja's (Susanty, experienced alienation, this art did presenting stories and improving the not disappear permanently.
quality of performances that remain This is because there is an inheritance embedded in tradition.
effort, inheritance is carried out by As time goes by, the challenges in involving policy stakeholders on an ongoing basis.
Efforts to strengthen increasingly sustainable.
Therefore, the existence of Arja art, especially Liku's role as a symbol of cultural Liku figures, require collaboration inheritance is very relevant.
with five parties who are quite integrating the penta helix model, synergistic, this concept is called the Liku not only functions as a character penta helix.
The penta helix is the in the show but also as a link between result of the development of two the older and younger generations in previous concepts, triple helix and understanding and appreciating Bali's quadruple helix, which were designed cultural heritage.
to help creative economy actors in This creates space for the younger (Alhail, generation to be actively involved in Wadiyo, and Wibawanto 2024, .
preserving their own art and culture.
The integration of the penta helix so that Arja art can continue to live Arja Dance TEROB VOLUME 15 NOMOR 2 APRIL 2025 and develop amidst the dynamics of qualitative analysis techniques which modern society.
include: data condensation, presenting important information from the results METHODOLOGY of observations and interviews.
Data This research uses a qualitative approach with a focus on an in-depth narrative or tabular form to facilitate understanding of the role of Liku Drawing conclusions, figures in Arja art and the integration interpreting the results of the analysis of the penta helix model in its to answer research problems, and preservation in Bali.
This research is a qualitative descriptive study which preserving Arja art in Bali.
aims to describe and analyze the To ensure the validity of the data, this dynamics that occur in Arja art, techniques, namely comparing data especially involving the character from various sources .
Liku.
Data collection was carried out interviews and documentatio.
to get a more accurate picture of the role of researchers were involved in the art the Liku character and the integration to directly experience the dynamics of the penta helix model in Arja art.
that occurred and recorded important elements of Arja art.
In-depth
RESULTS AND DISCUSSIONS
semi-structured Art sources to gain further information regarding their views on the character considered to have developed from Liku and how the penta helix model Arja Dadap, which appeared between 1775 and 1825 during the reign of I Documentation.
Dewa Gede Sakti at Puri Klungkung.
collecting related documents, such as At that time, a large-scale pelebon video recordings of performances, was held by his son-in-law.
I Gusti Ayu Karangasem, which was attended discussing Arja art and Liku figures.
by various groups, including kings The data obtained was analyzed using from all over Bali who brought art
History and Development of Arja
Arja
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from their respective regions.
On this of plays such as Pakang Raras in occasion.
I Dewa Agung Manggis Banjar Tameng Sukawati, which was from Gianyar and Dewa Agung pioneered by Legong dancers.
Jambe became the inspiration for the Around the 1940s, the term Arja Gede Arja performance which was first emerged to describe Arja groups with At that time.
Arja was known a larger number of dancers.
Over as Dadap and the play he performed time, these groups transformed into was "Kesayang Limbur".
professional acts such as Arja Bon The term "Dadap" refers to a type of Bali and later became known as Arja tree that also symbolizes a shield.
Roras.
These changes in terminology Dadap wood is considered sacred and reflect developments in performance is often used in ceremonies as a structure and number of dancers.
symbol of cleansing.
The Arja Dadap 1986.
Arja Ri's group joined the Bali Arts Family (KKB) Radio Republik manner similar to wayang weak.
Indonesia (RRI) Denpasar and chose using a dadap branch as a screen "Pakang Raras" as the main play.
In this context, the characters in Famous dancers such as Ni Nyoman Arja fall into two groups: good and Tjandri and Ni Made Suci are part of At that time.
Arja performances this performance.
With the joining of were not equipped with gamelan, but Arja Candra Metu RRI Denpasar, there has been a significant change in "tembang the musical accompaniment which Lelawasan", a type of ceremonial now uses the Gong Kebyar gamelan to provide creative freedom.
Every From Arja Dadap, various variations Arja show always features main of Arja emerged in various regions.
characters such as Galuh.
Limbur.
In Singapadu.
Arja Doyong was Liku, and Penasar, as well as two introduced by Gambuh characters pairs of clowns consisting of Punta such as Nang Turun and Cokorda Rai and Kartala.
Panji, where all the characters were played by men with simple make-up.
Over Arja continued to develop with variations TEROB VOLUME 15 NOMOR 2 APRIL 2025 Year ArjaAos name Arja Dadap Arja Doyong Arja Gede Arja KKB functions as one of the central Together with Galuh.
Liku is often involved in conflicts and Table 1.
Development of Arja Arts interactions which create interesting The Role of Liku Figures in Arja dynamics on stage (Ariani.
Suarta, and Art Sugama 2021, .
Liku helps move The Liku character in Arja art in Bali the plot along with his actions and is one of the key characters who has dialogue, often acting as a challenger an important role in the storyline and or opponent to Galuh, thereby creating dynamics of the performance.
Liku is Through often described as a girl who is not as beautiful as Galuh, but has a strong experiences.
Liku often conveys moral and enthusiastic character (Ariani, messages about courage, freedom and Suarta, and Sugama 2021, .
He is the importance of expressing oneself.
known as a symbol of freedom and Along with the development of Arja's art.
Liku's character also experienced Liku is described as a figure changes in terms of depiction and who is stubborn and not easily The costumes worn by influenced by other people's opinions, the Liku characters have undergone especially in matters relating to his significant changes to attract the personal freedom.
attention of the younger generation.
She likes to challenge her abilities These new fashion creations reflect and tries to express herself in a modern trends while still maintaining different way from girls her age, traditional elements.
often getting involved in unusual The Liku character can be played by adventures (Setiawati.
Sustiawati, and both men and women, showing in the Suratni 2023, .
Liku has a interpretation of the character.
This humorous nature which makes him an provides space for more artists to be interesting character in the show.
involved in Arja's performances.
often engages in funny dialogues that entertain the audience.
In the context of the Arja show.
Liku
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elements of subjects or stakeholders in developing the potential of a region or These five elements include:
Academics, acting as drafters, which processes, product certification, and evaluate human resource skills.
They are a source of knowledge with the latest relevant concepts and theories.
Figure 1.
Liku Figures in Arja Art Entrepreneurs or Business Actors play the role of Enablers, which means they carry out business processes to create added value and maintain sustainable growth.
They can also act infrastructure and cash.
Community, functions as an accelerator, which Figure 2.
Liku Figures in Arja Art The character Liku in Arja's art is not just a supporting character.
he is a process by acting as a point of contact symbol of the spirit of freedom and or mediator between several parties.
self-expression.
With his humorous They also participate in marketing and rebellious nature.
Liku plays an goods or services in an area.
important role in bringing Arja's The government, acts as a regulator show to life and conveying moral and controller, which means they are The responsible for business development, evolution of this character shows how have rules, and coordinate many traditional art can adapt to the times stakeholders in the growth prospects without losing its essence.
of an area.
They are also tasked with Penta Helix Model in Cultural implementing appropriate policies and Preservation Media, functions as an expander, which means it helps in The Penta Helix Model brand promotion and image creation.
innovative concept that connects five
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They also play a role in effective provide the necessary financial and publicity and promotion to increase logistical support.
Media, mass media the visibility of a project or event.
and digital platforms can act as Integration of the penta helix model They can promote Arja's Arja Academics, advertisements, posters, blogs, and researchers can participate as drafters social media, giving the art visibility in developing Arja arts standards and and audience participation.
They can provide historical The and theoretical knowledge about the elements is able to types of movements, costumes and existence of Arja art, especially the themes commonly used in Arja character Liku in it.
In terms of Business actors or academics, currently the involvement artists, people involved in the arts of educational academics such as the industry can act as mobilizers.
They Indonesian Art Institute Denpasar involves training Arja both practically providing facilities, and promoting and in historical knowledge.
This shows to make them more appealing activity is a form of academic concern to audiences.
regarding Arja art or other traditional Community or seniors, community members who are involved in Arja Activities that are considered to entertainment can act as accelerators.
support the existence of Arja art They can facilitate the learning include holding workshops for the restore the The generation in mastering the complex speakers present were artists or figures movements and rituals in Arja art.
who had mastered the art of Arja.
Bali Government or cultural services, is filled with communities or studios government bodies responsible for that continue to study Balinese art.
culture can act as regulators.
Arja's They can issue appropriate rules and Sneiman's involvement through his regulations to protect and develop the Arja artistic tradition, as well as The government as one of the quite TEROB VOLUME 15 NOMOR 2 APRIL 2025 influential stakeholders, specifically CONCLUSION Arja art, as a form of traditional department, has implemented this performing arts in Bali, not only One presents the beauty of movement and music, but also conveys deep cultural involving Arja art in the Bali Arts The character Liku, who is Festival.
The Bali Arts Festival is the often played with a humorous and right forum to maintain the existence of traditional Balinese arts, one of important role in bringing the story to which is Arja art.
life and attracting the audience's Arja art performances are usually performed by all regions in Bali.
The character Liku, who is often depicted as a girl who is not pretty but characteristics or characteristics of full of passion and courage, reflects a each Arja art.
Apart from performing Arja arts, the government is also provides a voice for individuals who providing more space for workshops.
want to express themselves in a The government involved a senior different way.
The integration of the artist in the Arja arts field, namely penta helix model in the Arja arts Mrs.
Bali Tjandri The workshop was filled by him, between various academics, artists.
Singapadu.
Arja structure, understanding of existing characters and understanding of each communities, government and media who support each other to preserve and develop this cultural art.
Academics play a role in providing indepth knowledge and research about Arja art, while artists contribute with Local communities act as a bridge between the older and younger generations, ensuring that these traditions remain alive through Figure 3.
Bagan model penta helix active participation.
The government TEROB VOLUME 15 NOMOR 2 APRIL 2025 and self-expression.
By utilizing the resources to promote the art, while strengths of each element in this the media serves as a platform to model.
Arja art can continue to develop and attract attention both Arja locally and internationally, making it a Through the penta helix approach, valuable cultural heritage for future Arja's art is not only entertainment but also an effective educational tool.
The public can learn from the values contained in the stories told by figures like Liku.
The interaction between dancers and the audience creates an intimate and immersive experience, where moral messages can be conveyed directly.
Changes in the way Liku figures are depicted, including innovations in clothing and appearance, show the adaptation of traditional art to the times.
This not only attracts the interest of the younger generation but also ensures that Arja art remains relevant in the modern era.
Thus, the existence of the character Liku in the context of the penta helix is a clear example of how collaboration between elements preservation of local culture.
Overall, this article emphasizes that the integration of the penta helix
model in Arja art in Bali is not only about preserving tradition but also about creating space for innovation TEROB VOLUME 15 NOMOR 2 APRIL 2025
REFERENCES